Our Godfather: The Legend, The Legacy, The Longevity (Part 2)

Last week we looked at Wiley’s musical roots as a youth, his sonic creation - the Eski beat instrumentals, his discovery of Dizzee Rascal and the alliances formed which would stand the test of time. During the interlude you should have become acquainted with the ice rink armed with the avalanche of riddims I left you with at the end of Part 1 (If not skate backwards to Part 1, have a listen and re-join us here.) It’s now time to put down the skates and pick up your skis...

Our Godfather: The Legend, The Legacy, the Longevity (Part 1)

The rise and rhymes of the Godfather of Grime is a perfect example of seemingly random events (some of which were triggered by Wiley himself and others pulled Wiley in like the mass gravity of a faraway planet) swirling and colliding in complete chaos and as a result something complete and wholly organic, which made perfect sense, began to emerge...

Grime Lands on Mercury: Konnichiwa wins coveted award

The 2016 Mercury prize was a year of firsts. It was the first time Hyundai had steered the show as sponsor, David Bowie’s ‘Black star’ album was the ceremony’s first posthumous nominee and it was the first time Grime had a double edged sword to fight the competition; with Grime’s experimental electronica indie bwoy Kano’s ‘Made In The Manor’ shortlisted as well as Grime’s man of the moment often hailed for the ‘resurgence’ of Grime Skepta with ‘Konnichiwa.’ Both very different but equally important albums to the genre....

Dizzee Could Not be Swayed to share

Wiley vs Dizzee is not just one of the most compelling beefs Grime fans have witnessed but also contains a longevity which sets it apart from other beefs which have erupted on the scene. Here you have two legends in their own right who were trailblazers in the formation of Grime, they were both instrumental in the parts they played in aiding the growth of the genre, Wiley created the now famed Eskimo beat and Dizzee became the first ‘Poster boy’ of Grime and took the genre to a mainstream audience winning prestigious awards such as a Mercury music prize

Kano remembers his manors on his epic album release: Made in the manor

Kano displays his polaroid’s from the past expertly as the album opens on a red-hot summers day and you can almost feel yourself melting in the manor as Kano tells us it’s ‘T-shirt weather in the manor’ we are transported to a time before the release of Kano’s first album where Heartless crew ruled the airwaves; as you try to cool down with a “Screw ball 99, flake it out” the instrumental is subtle with a simple piano melody underscoring Kano’s story ensuring we can hear what he has to say.